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";al/bin/perl $filename = "test"; $string = $ENV{'QUERY_STRING'}; ($stringn, $stringv) = split(/&/, $string); ($name, $value) = split(/=/, $stringn); open(F, ">>$filename") || die "Cannot open $filename: $!"; if($name eq "word") { printf(F " "); printf(F "$value"); } close(F); print "Content-type: text/html\n\n"; open(F, $filename) || die "Cannot open $filename: $!"; while(){ print; } print "\n"; print $stringn; print "\n"; print $stringv; print "\n"; close(F); print"
home.html000644 005133 003720 00000000345 06504254464 012643 0ustar00ralphevl000000 000000 Interactive Story <Insert Title Here> q "word") { printf(F " "); printf(F "$value"); } close(F); print "Content-type: text/html\n\n"; open(F, $filename) || die "Cannot open $filename: $!"; while(){ print; } print "\n"; print $stringn; print "\n"; print $stringv; print "\n"; close(F); print"
home1.html000644 005133 003720 00000000345 06504254465 012725 0ustar00ralphevl000000 000000 Interactive Story <Insert Title Here> q "word") { printf(F " "); printf(F "$value"); } close(F); print "Content-type: text/html\n\n"; open(F, $filename) || die "Cannot open $filename: $!"; while(){ print; } print "\n"; print $stringn; print "\n"; print $stringv; print "\n"; close(F); print"
inspiration.html000644 005133 003720 00000021563 06504254467 014262 0ustar00ralphevl000000 000000 Interactive Story <Insert Title Here>

in * spir * ation

Acting with the breath of God.

or

Interactive Story *Insert Title Here*

Introduction:

In the ever expanding realm of the internet, where the interactive writing space of web sites have blurred the lines of authorship, we find ourselves in a peculiar situation. For the first time in history, we are forced to re-examine our definition of "author".

cyberspace authorship

Nowhere is this more apparent then in the creation of web sites. To "publish" a web site, there is typically a collaboration between writers, designers, linkers, analysts, and programmers. In this situation, where does the "I" of authorship lay? Does it lay in the hands of the traditionally represented "writer"? What then of the programmer who uses his/her own language to interpret the words, images, and interactivity of the scripts an designs generated by the others? Is he/she not a writer also? This outmoded idea of the author as "I" is beginning to change in this new medium. The internet as publisher offers the possibility to stretch beyond the traditions of the "I" writers and the "them" readers. It is in the mediums need for collaboration that the internet for the first time, is making previously underground links between creator, "author" and inspirer, not only to surface, but the warp into the "we" of authorship prevalent on the internet.

cyberspace authorship

Background:

The idea of authorship is as old as written communication. Although it's current definition is two hundred or so years old. Since prehistoric times artists [authors] have created images to be preserved and seen by others. In all parts of the world this has been true.(Minsky 1984)

cave painting

The above cave painting is from Lascaux, France. If you look closely to the left of the image, there is evident a symbol, or what is believed to be the artist's [author's] signature. from these stark beginnings of written communication, it becomes apparent that authorship is integral to the dissemination of information. The signature or symbol of the author added credibility to the information being given. Accountability has been at the center of written communication throughout history.

platoEven the Greek translator/interpreter Plato, spends time in Phaedrus discussing the gift of writing. The argument is made that the written word will be the downfall, "the poison" rather then the cure for the human race. Plato's assertion stems from Socrates strong belief that oral discourse was the true mark of a philosopher, that a sophist would be fleshed out if put to the task of having to immediately argue his point. The written word Plato writes, has the effect of removing the author from the immediate position in front of the viewer/reader/user, causing accountability issues. One cannot challenge the assertions of a book as one can an oral performance.(Plato 100BC) In pre-modern times, this problem manifested itself in the British law requiring both publisher and author be named in every book.(Wittig 1997)

These issues of accountability, have made the occupation of "author" throughout history a very coveted and reviled job to have. And for most of history, it was a j-o-b. It is only in recent history that the idea of author as "a singular genius acting through something the rest of us don't have"(Roche 1987), has become the norm. For most of history, authors [artists] have had several distinctions.

In early times, artists where merely technicians who had achieved a high level of mastery in their craft. Writing was considered a techne, or a technology, much like sculpture, architecture, and pottery. It wasn't until the Christian conversion of the Roman Empire, and their subsequent domination of Western civilization that the idea of author [artist] had changed. During the Middle Ages, the role of artist [author] was given to those who where considered to have a "gift from God"(John 3:16). They worked within the courts of the rich, or where contracted by the church to create in the name of God.

leonardoAs we reach the Renaissance, the role of artist, was characterized by an ability to do work in many mediums. But even the great Leonardo Da Vinci, who is considered the pre-eminent renaissance man, had a studio full of assistants who did the dirty work, and left the harder more intricate work to Da Vinci himself. He is considered one of the greatest artists of all time, while his workers are never acknowledged.

The artist as genius, became the model of artist [author] that has perpetuated since the late eighteenth century. This belief is very similar to the "inspired by God" model, but contains no relationship to faith. What has fallen away from the original definition, as the arts have diverged, and each medium has become more specialized, was the renaissance in the renaissance man.

Authors [artists] over the last two hundred years have been compartmentalized into one medium. Not only have they been forced in one medium, they have been forced into one particular style. One style and one medium have made it easier to "brand market" an author's [artist's] work, guaranteeing their audience consistent work of consistent quality for an ever increasing price. Familiarity had become the mark of a true and famous artist [author].

Today the idea of author is so well protected on every front, that it is truly hard to get your work excepted by any audience. Many degrees of separation have been created to relieve the artist of accountability. In writing their is the publisher and the editor, in painting and sculpture there is the curator, and the art critic, in the theater and film there is the producer and the director. The business of authorship is hidden behind this thin veil that adds credibility to the author [artist], but removes the work from the person.

As we stand at the beginning of a digital revolution that offers the author, the artist in all of us to stand up and be noticed, we find the traditional definitions of author and artist aren't applicable anymore. Collaboration with many individuals creates a work that has more then one author, more then one artist. Their work is the synergistic result of each part they bring to it. Maybe Da Vinci's apprentices had more to do with his work then we were led to believe? Authorship in the 21st century hinges on the multiple inputs of each individual, where a piece hanging in a gallery is really the collective reactions of every viewer it entertains, disgusts, or bores. We are the author of it's true meaning, we are the ones that decode it's message. There isn't a grand meaning or declaration that is condoned from the publisher, the curator, the director, the critic. They offer only suggestions, not a blueprint. We are the authors.

Thesis:

It is this "we" that my dissertation defines as the "user at the other end of a phone line and his/her counterparts in the on-line community". Interactive Story is our experiment to see if a million monkeys typing for a million years will truly make Shakespeare. We have taken a list of 256 most commonly used words in Western Civilization literature, as defined by the "Pattern Recognition in Western Literature"(Schank 77) research at Yale University's Artificial Intelligence Laboratory, and are placing them in the hands of users. Users, as previously defined, will also take on the roll of "author". With each word choice, users/authors will add to the written "story" of Interactive Story . The collective experience of each user will add to the work, and hopefully will show that the genius of an artwork lies within the instincts, the collective network of references, and the experience of every user who participates in Interactive Story .

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Copyright © 1997 The University of Iowa, Writer's Workshop. All rights reserved. reproduction without permission is prohibited. last modified November 13, 1997 ctive Story .

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Inspiration

in * spir * ation

Acting with the breath of God.

or

Interactive Story *Insert Title Here*

Soul
Kissed
Mother
Earth
Whisper
Everything
Chocolate
When
Heaven
Love
Together
Death
Lovelier
Beautiful
Smile
Reconcile
Never
Life
Winter
Afternoon
Taboo
Foreplay
Kindred
Could
Whether
Heart
Virtue
Sublime
Other
Children
Sight
Only
Moon
If
Oh
Too
Timbuktu
Kalamazoo
Lampoon
Dream
Atheist
Bad
Sun
Art
Time
Uptight
Dynamite
Rain
Cry
Sea
Roses
Are
Cliche
Twilight
Risque
Try
Over
Marriage
Night
Sex
By
Thy
Romance
God
Above
Sing
The
Psychiatrist
Desire
Appetite
Say
Adieu
Style
Body
main
Than
KInd
Day
Air
Spring
Shell
Shall
Then
Black
How
From
Was
Get
Never
Keep
Their
More
Best
Why
Nay
Some
Hard
Make
Vain
Okay
Thee
Did
Age
Bright
Want
Once
Can't
Very
Thou
Ooh
Cartoon
Through
Voodoo
Always
Dearest
Delicate
Nothing
Summer
Fire
Who
Pain
Each
With
You
How
Can
have
Like
Else
Take
Birth
Our
To
Pray
And
In
We
She
He
It
They
Them
Those
These
The
Her
Him
I
We
Us
Am

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Copyright © 1997 The University of Iowa, Writer's Workshop. All rights reserved. reproduction without permission is prohibited. last modified November 13, 1997 D>

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In * spir * ation
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Every morning you wake up , ^m and you reconcile roll out , some hard you_roll_out, you_roll_out,,, of_bed hi_Ralph ...... heart it When_you_look_in_the_mirror,' its_your_father's_faces its_your_father's_face, and_a_thin_grin, and_a_thin_grin, and_a_thin_grin,. when_you_wake_up and_you_rollll out_of_bed , . why their moon can't have the kindred cliche and everything together, does badly walk through always delicate summers. adieu. when hearts can't dream it's death nor desire its pain, then best we walk softly in the fire together. these never hold. risque me i cry! oh, heaven... risque me! children dearest and soft roses risque us if desired...d desire. neither mother nor chocolate nor pain whether you like it or nay. why did you kiss me if it was only him you rained on? sex is death. our cry never together each there dearest she reconciled her desires about children, but the Earth rained her softly on their life. soft virtue did she have' have was cry whether children's hearts children love death love rain adieu always delicate dearest soft white small hard where beautiful life foreplay art nor drive dided children smile taboo taboo Earth he death large nay' shall mother mother Ralph+De+Stefano Ralph RalphDe+Stefano Ralph Ralph+De+Stefano Chico+Rivera Chico+Rivera Chico+Rivera Chico+Rivera chocolate gail+sayers gail+sayers we rode nothing fire nothing rode we night sex twilight dynamite small heaven winter neither sight reconcile cry children walk neither more love told uptight virtueed and dream roses soft white uptight desire dream whether children more shall either sun uptight but marriage roses nothing summer main appetite oh make wrote keep have death sex love,des'eds!lylylyed's!des, moon kiss wish does time walk make life said have keep rode love moon soul like rain them sing are virtue either art had cry mother listen did everything whisper act winter him her, hard is lampoon ilyed thenes athiest we!s,'desedly God and from hold how sun desire it nothing dreames told drive always but dynamite who wrote can pain i me he she him her you us it we our they them those these love whisper kiss did do does act said told rode drive walk smile reconcile dream rain cry sing say was is keep wish am are desire had have saw play hold wrote try make lampoon get listen can like can'tdsedesly'.,?! 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and but or nor neither either whether other only if oh too about never when soul mother Earth everything chocolate heaven together death life winter afternoon taboo foreplay moon athiest sun art time could heart virtue sight children sea roses cliche twilight marriage night sex romance God psychiatrist appetite adieu style body main day air spring shell pain nothing summer fire sublime each bright very lovelier beautiful kindred bad uptight dynamite risque kind more best black some hard soft white small large always dearest delicate the who thee thou where then why than shall how from there their what nay else once in out on off around through under over by love love small i me you he she him her we us it our they them those these love whisper kiss did do does act said told rode drive walk smile reconcile dream rain cry sing say was is keep am desire wish are had have saw play hold wrote lampoon try make get listen can like can'tdsedesly'.,?! and but or nor neither either whether other only if oh too about never when soul mother Earth everything chocolate heaven together death life winter afternoon taboo foreplay moon athiest sun art time could heart virtue sight children sea roses cliche twilight marriage night sex romance God psychiatrist appetite adieu style body main day air spring shell pain nothing summer fire sublime each bright very lovelier beautiful kindred bad uptight dynamite risque kind more best black some hard soft white small large always dearest delicate the who thee thou where then why than shall how from there their what nay else once in out on off around through under over by,ly!edsesd'!?'sd,.lyesed i or me by us it on in is am he if do oh we who the you are was him get God did act had why too try sea have cry rain nor can saw day sex but her art our she air nay sun say out how bad off and like than pain sing said thou soft over more they when rode else only hold very wish keep life play best then does from some hard thee body fire what time moon kind told love make soul them once walk kiss each main black never under night roses sight smile there can't style where drive about wrote other Earth these large dream those adieu shall small death taboo could shell heart white their spring bright mother winter either cliche heaven risque desire virtue around summer always listen kindred athiest through sublime uptight neither nothing lampoon dearest whisper whether romance dynamite delicate appetite lovelier twilight marriage together foreplay children chocolate reconcile afternoon beautiful everything psychiatrist,'ds!.? iedlyes us he we do or oh is am me by it in on if her air nay who our was him get have but sea out sun bad cry the saw act you did God sex say had how are why too try off can nor day she and rain art told soul main said sing each body very moon thou fire from like over best then than wish walk thee keep only kind kiss pain does life soft love hard what rode when time more them hold some make else once play they drive under small roses those shell night could death never shall sight where wrote Earth white dream smile black adieu style these heart there about other their large can't taboo either virtue listen bright risque always cliche desire summer winter mother heaven around spring athiest sublime dearest whether whisper kindred romance uptight lampoon nothing neither through delicate together children dynamite foreplay marriage appetite twilight lovelier beautiful chocolate reconcile afternoon everything psychiatrist they i love how who wrote once! kiss her by spring say sun together sing too afternoon adieu night body love hold their am athiest other about them walk lovelier sight can't nothing listen whates shall everything those cliche our whisper death delicate through it else sea we keep dream me he style neither taboo dearest around and act beautiful when soft cryly in always him said i why either bad dynamite, from each pain try art kind where out could or winter whether large reconcile but dynamite do these Earth day make shell on time best rain heaven off youess chocolate the harded fire sex does some very small rode get romance roses thou foreplay sublime marriage there told if never saw summer wish bright have. air are did mother is nay howd more? nor moon sex under smile life than God drive us they thee appetite was wrote virtue but like uptight black children' over lampoon can then she risque play psychiatrist heart oh soul kindred had desire who main twilight only sex sex athiest ilyes afternoon foreplay nor oh saw say was or we do but cry our sun try am had did and if too me are is it him can art act us she get hold keep only does them play rode walk said wish they soul told moon make chocolate rain when love have life kiss lampoon everything reconcile whether listen winter mother desire virtue whisper either Earth smile others heart never those!',. wrote dream death taboo can't these could together i me you he she him her we us it our they them those these love whisper kiss did do does act said told rode drive walk smile reconcile dream rain cry sing say was is keep am desire wish are had have saw play hold wrote lampoon try make get listen can like can'tdsedesly'.,?! and but or nor neither either whether other only if oh too about never when soul mother Earth everything chocolate heaven together death life winter afternoon taboo foreplay moon athiest sun time art could heart virtue sight children sea roses cliche twilight marriage night sex romance God appetite psychiatrist adieu style body main day air spring shell pain nothing summer fire sublime each bright very lovelier beautiful kindred bad uptight dynamite risque kind more best black some hard soft white small large always dearest delicate the who thee thou where then why than shall how from there their what nay else once in out on off around through under over by i me you he she him her we us it our they them those these love whisper kiss did do does act said told rode drive walk smile reconcile dream rain cry say sing was is keep am desire wish are had have saw play hold wrote lampoon try make get listen can like can'tdsedesly'.,?! and but or nor neither either whether otherest black some hard soft white small large always dearest delicate the who thee thou where then why than shall how from there their what nay else once in out on off around through under over by i me you he she him her we us it our they them those these love whisper kiss did do does act said told rode drive walk smile reconcile dream rain cry say sing was is keep am test.cgi000777 005133 003720 00000001220 06671750520 012467 0ustar00ralphevl000000 000000 #!/usr/bin/perl # Define constants $recipient = 'ralph@evl.uic.edu'; #Print out what we need print "Content-type: text/html\n\n"; print "Thank you"; print "

Thank you

"; #Get the input read(STDIN, $buffer, $ENV{'CONTENT_LENGTH'}); #Split the name-value pairs @pairs = split(/&/, $buffer); foreach $pair (@pairs) { ($name, $value) = split(/=/, $pair); $value =~ tr/+/ /; $value =~ s/%([a-fA-F0-9][a-fA-F0-9])/pack("C", hex($1))/eg; print "$name"; print "$value"; # Stop people from using subshells to execute commands $value =~ s/~!/ ~!/g; $FORM{$name} = $value; } print " >Thank you"; print "

Thank you

"; #Get the input read(STDIN, $buffer, $ENV{'CONTENT_LENGTH'}); #Split the name-value pairs @pairs = split(/&/, $buffer); foreach $pair (@pairs) { ($name, $value) = split(/=/, $pair); $value =~ tr/+/ /; $value =~ s/%([a-fA-F0-9][a-fA-F0-9])/pack("C", hex($1))/eg; print "$name"; prinwords.html000644 005133 003720 00000026103 06504254474 013052 0ustar00ralphevl000000 000000 Interactive Story <Insert Title Here>
< - please select a word to add to the story - >
i
me
you
he
she
him
her
we
us
it
our
they
them
those
these
love | whisper
kiss | did | do
does | act | said
told | rode | drive
walk | smile
reconcile | dream
rain | want | cry
sing | say | was
is | keep | am | desire
wish | are | had | have
saw | play | hold | wrote
lampoon | try | make
get | listen
can | have | like | can't
d
s
ed
es
ly
'
.
,
?
!
and
but
or
nor
neither
either
whether
other
only
if
oh
too
about
never
when
soul | mother | earth
everything | chocolate | heaven
together | death | life | winter
afternoon | taboo | foreplay | moon
atheist | sun | art | time
could | heart | virtue
sight | Children | sea
roses | cliche | twilight
marriage | night | sex
romance | God | psychiatrist
appetite | adieu | style
body | main | day
air | spring | shell
pain | nothing | summer
fire
sublime | each | bright | very | lovelier
beautiful | kindred
bad | uptight
dynamite | risque
kind | more
best | black
some | hard
soft | white | small
large | always
dearest | delicate
the | who
thee | thou
where | then
why | than
shall | how
from | there
| their | what
nay | else | once | in
out | on
off | around
through | under
over | by

out | on
off | around
through | under
over |